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He passed away in 2000, leaving behind an impressive body of work and was most certainly an inspiration for generations of New York City icatel 25cm club #2: ladytron 'commodore rock. But we did have a good time working together.Playgirl Magazine: November 2000 book downloadĭownload Playgirl Magazine: November 2000 “That’s one of those lines that you hear actors say, and it’s always horseshit. It’s also wonderful to watch her listen because it registers on her face.” Hoffman is equally enthusiastic: “I loved working with her,” he says.
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I mean, I sound like her agent,” he says. She’s among the strongest people I’ve ever worked with, just in terms of energy.”īut she’s more than just a worker. I think that she thinks about nothing else but what she’s doing. Dustin Hoffman goes even further: “She’s extraordinarily hardworking, to the extent that she’s obsessive. Her producer in “Kramer”, Stanley Jaffe, describes her as “tireless”. Meryl claims to be lazy, but everyone knows her disagrees.
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The script was originally antifeminist, now it has a better balance. She felt that we should symphathize with her attempt to regain custody of her son. Meryl believed that an audience wouldn’t understand why she left. Originally, her character was evil, a malevolent bitch who left her marriage and then decided to come back to reclaim her child. As a result of her objections to the original script, much was rewritten. Then, with no rest in between, she took on “Kramer vs. She did “The Seduction of Joe Tynan” with Alan Alda, “on automatic pilot”, she says (though everyone else will say she’s brilliant). Shaken by his death, Meryl threw herself back into her work. She talked of his work in the only picture they did together, “The Deer Hunter: “His presence is so strong… it’s a joy to watch John work.” He never got the acclaim he deserved, Meryl believes. They fell in love and lived together two years until Cazale’s premature death from cancer. Cazale was the brilliant actor best known for his work as Fredo, the weak-willed brother of Al Pacino who was seen in Coppola’s “The Godfather”. She agreed and found herself playing Isabella opposite John Cazale’s Angelo. That winter, Meryl was asked by Joe Papp to perform “Measure for Measure” at the summer Shakespeare festival in Central Park. During that first season, generally a lean time for actors, she did seven plays. Fame had its advantages: Meryl never had to go to an open audition, and parts were suddenly being offered to hear. Filled with cotton “fat” and large prosthetic breasts, Meryl was so sensational as the 170-pound Flora that she won a Tony nomination.
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Then came the revival of Tennessee Williams’s “Twenty-Seven Wagons Full of Cotton”, the one-act that inspired the movie, “Baby Doll”.
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Trelawny got Meryl her first professional acclaim. But by that time she had moved to New York, and auditioned for and won a part in the Lincoln Center production of “Trelawny of the Wells”. He told her that it would go away after she left Yale. The pressure to perform was so great, in fact, that she developed an ucler. The pattern continued, with Meryl doing a dozen or more roles each year. At Vassar she was the star of the theater department, beginning with her performance in “Miss Julie”. In a remarkable film filled with brilliant performances, Meryl stood out enough to win an Oscar nomination.īut being noticed is nothing new for Meryl. from the Yale School of Drama), Meryl was able to effectively become a small-town girl whose future depended on Christopher Walken’s or Robert De Niro’s return from Vietnam. Somehow, despite her patrician looks and Ivy League background (she has a B.A. If there were any doubts about her abilities, her work in “The Deer Hunter” banished them quickly. No matter how much blinking this time, everyone saw her, and she won an Emmy for her work. Blink, and she was gone! Then, she played the Christian wife of a German Jew in “Holocaust”.
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But with Meryl (christened Mary Louise) to preface it, Streep has never sounded sweeter.Īlthough she has three years of highly successful work in New York theater behind her, it is in the movies and on TV that most os us have seen Meryl. Her name is Meryl Streep – what a name for Hollywood’s newest star! An old Dutch name, it sings with all the lyricism of a sparrow’s chirp. Kramer vs Kramer, Measure for Measure, Playgirl, The Seduction of Joe Tynan, Trelawney of the Wells, Year 1979